[FA Worldmusic] FA-Worldmusic Digest, Vol 19, Issue 13

[glenn tamir]

Musical Peacemakers - See "Songweavers"  I think I put up a post last Spring
about this website:  www.songweavers.com

Songweavers is a site that seeks to use the technology available to bring
musicians together from all over the Worlds and while it is not political in
any way, it promotes Peace through music.  It's actually a company based
here in Israel.  There are many very talented musicians who have put some
great music there.  All the downloads are free and it's free to musicians to
create their own sites as well.

Glenn

On 9/15/07, fa-worldmusic-request at folk.org <fa-worldmusic-request at folk.org>
wrote:
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> Today's Topics:
>
>    1. Fwd:  surge of diplomacy (Tom Frouge)
>    2. Music for Peace (sarah wimer)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Fri, 14 Sep 2007 16:47:08 -0600
> From: Tom Frouge <tom at avokado.net>
> Subject: [FA Worldmusic] Fwd:  surge of diplomacy
> To: FA-Worldmusic <fa-worldmusic at folk.org>
>
> Posted this earlier, but only to Dmitri!
>
>
> Our society is run by insane people for insane reasons    John Lennon
>
>
>
> Begin forwarded message:
>
> > From: Tom Frouge <tom at avokado.net>
> > Date: September 14, 2007 1:38:45 PM MDT
> > To: Dmitri Vietze <music at rockpaperscissors.biz>
> > Subject: Re: [FA Worldmusic] surge of diplomacy
> >
> > We all need to stop using the neo-cons' language, which spins
> > things "positively". To "surge" is to move powerfully upward or
> > forward.  The "surge" of troops in Iraq should be stated in manner
> > that describes what it is: "an escalation" (which means to increase
> > rapidly) or simply put a troop build up.
> >
> > That said, love to see Dmitri's suggestion taken up by the Dems,
> > although I wouldn't hold my breath unless they get behind something
> > like Kucinich's plan, which seems unlikely.
> >
> >  Our society is run by insane people for insane reasons    John Lennon
> >
> >
> >
> > On Sep 14, 2007, at 10:40 AM, Dmitri Vietze wrote:
> >
> >>> The world could use musical 'peacekeepers'...
> >>
> >> I keep wondering when the Democrats are gonna realize that what we
> >> need in
> >> the "Middle East" is a surge of diplomacy. Put a hundurd million
> >> bucks into
> >> that and see what happens. Send over 30,000 conflict resolution
> >> experts,
> >> cross-cultural diplomats, and musical activists and see what
> >> happens. Never
> >> been done before. I still think the USA faces a major PR problem
> >> and the
> >> globally-minded music field could help a lot.
> >>
> >> Much respect,
> >>
> >> Dmitri Vietze
> >> rock paper scissors, inc.
> >> (NEW ADDRESS as of May 18, 2007!!!)
> >> 511 W. 4th St., Suite 2
> >> Bloomington, IN 47404-5171
> >> TEL +1-812-339-1195
> >> FAX +1-801-729-4911
> >> music at rockpaperscissors.biz
> >> www.rockpaperscissors.biz
> >>
> >> {{music of global significance}}
> >>
> >> p u b l i c i t y   f o r   t h e   w o r l d
> >>
> >> ----- Original Message -----
> >> From: "Dore Stein" <tangentsradio at gmail.com>
> >> To: <marco.werman at bbc.co.uk>
> >> Cc: <fa-worldmusic at folk.org>
> >> Sent: Friday, September 14, 2007 12:07 PM
> >> Subject: Re: [FA Worldmusic] Joe Zawinul Tribute
> >>
> >>
> >>> On 9/14/07, Marco Werman <marco.werman at bbc.co.uk> wrote:
> >>>>
> >>>> Wow!  Thanks for the list Dore.  Reads like a musical UN!
> >>>
> >>>
> >>>
> >>> Hey Marco
> >>>
> >>>
> >>>
> >>> The world could use musical 'peacekeepers'...
> >>>
> >>>
> >>>
> >>> Back in the '60's the biggest names in jazz were sponsored by the
> >>> U.S.
> >>> State
> >>> Department on world tours. In 1960 Herbie Mann traveled to 15
> >>> African
> >>> countries which resulted in the "Common Ground" album featuring
> >>> Babatunde
> >>> Olatunje. In 1963 Duke and his Orchestra toured Sri Lanka, Egypt,
> >>> India,
> >>> Iraq, Jordan, Lebanon, Pakistan, Iran, and Turkey - which was
> >>> commemorated
> >>> by the "Far East Suite". It should have been labeled the Near or
> >>> Middle
> >>> Eastern Suite but what the hay.
> >>>
> >>> -----Original Message-----
> >>>> From: fa-worldmusic-bounces+marco.werman=bbc.co.uk at folk.org
> >>>> [mailto:fa-worldmusic-bounces+marco.werman=bbc.co.uk at folk.org]
> >>>> On Behalf
> >>>> Of Dore Stein
> >>>> Sent: 14 September 2007 10:21
> >>>> To: Yusuf Gandhi
> >>>> Cc: fa-worldmusic at folk.org
> >>>> Subject: Re: [FA Worldmusic] Joe Zawinul Tribute
> >>>>
> >>>> Joe found top talent from everywhere to play with him starting with
> >>>> Weather Report and throughout his career.
> >>>>
> >>>> Zawinul's 1996 "My People" is a prime example.
> >>>>
> >>>> His Core Band on the recording was The Zawinul Syndicate:
> >>>>
> >>>> Paco Sery (Ivory Coast)
> >>>>
> >>>> Matthew Garrison (USA/Italy)
> >>>>
> >>>> Gary Poulson (USA)
> >>>>
> >>>> Arto Tuncboyaciyan (Anatolia)
> >>>>
> >>>> Guest Vocal Soloists were:
> >>>>
> >>>> Salif Keita (Mali)
> >>>>
> >>>> Thania Sanchez (Venezuela)
> >>>>
> >>>> Burhan Ocal  (Turkey)
> >>>>
> >>>> Richarad Bona (Cameroon)
> >>>>
> >>>> Bolot (Altai Mountains/South Siberia)
> >>>>
> >>>> Duke Ellington (sampled spoken word)
> >>>>
> >>>> Musicians:
> >>>>
> >>>> Alex Acuna (Peru- former Weather Report member)
> >>>>
> >>>> Trilok Gurtu (India)
> >>>>
> >>>> Rudy Regaldo (Venezuela)
> >>>>
> >>>> Michito Sanchez (Cuba/USA)
> >>>>
> >>>> Souleyman Doumbia (Mali)
> >>>>
> >>>> Tal Bergmann (Israel)
> >>>>
> >>>> Amit Chaterjee (India)
> >>>>
> >>>> Osmane Kouyake (Mali)
> >>>>
> >>>> Cheick Tidane Seck (Mali)
> >>>>
> >>>> Bobby Malach (USA/Poland)
> >>>>
> >>>> Djene Doumbouya (Guinea)
> >>>>
> >>>> Assitan Dembele (Ivory Coast)
> >>>>
> >>>> Beto Sabala (Peru)
> >>>>
> >>>> Kenny O'Braian (Venezuela)
> >>>>
> >>>> Lucho Avelleneda (Peru)
> >>>>
> >>>> Mike Mossman (USA)
> >>>>
> >>>>
> >>>> On 9/14/07, Yusuf Gandhi <Yusuf at fourquartersent.com> wrote:
> >>>>>
> >>>>> I think Joe Zawinul supported and performed with musicians from
> >>>>> almost
> >>>>
> >>>>> every corner of the world, not just Africa, so it would be
> >>>>> inappropriate to narrow it down to a couple of names. However,
> >>>>> he was
> >>>>> not a publicity hound, so many people did not realize the
> >>>>> impact he
> >>>>> had on music and musicians around the world.
> >>>>>
> >>>>> Yusuf Gandhi
> >>>>> President
> >>>>> Four Quarters Entertainment, Inc.
> >>>>> 555 8th Avenue, Suite #1803
> >>>>> New York, NY 10018
> >>>>> Tel: 212 564 8855
> >>>>> Fax: 212 564 8865
> >>>>> E: yusuf at fourquartersent.com
> >>>>>
> >>>>> -----Original Message-----
> >>>>> From: fa-worldmusic-bounces+yusuf=fourquartersent.com at folk.org
> >>>>> [mailto:fa-worldmusic-bounces
> >>>>> +yusuf=fourquartersent.com at folk.org] On
> >>>>> Behalf Of Marco Werman
> >>>>> Sent: Friday, September 14, 2007 8:38 AM
> >>>>> To: Dore Stein; angel at worldmusiccentral.org
> >>>>> Cc: fa-worldmusic at folk.org
> >>>>> Subject: Re: [FA Worldmusic] Joe Zawinul Tribute
> >>>>>
> >>>>> Let's not forget either Zawinul's recent support of two African
> >>>>> artists in particular, Salif Keita and Richard Bona.
> >>>>> Marco Werman
> >>>>>
> >>>>>
> >>>>> -----Original Message-----
> >>>>> From: fa-worldmusic-bounces+marco.werman=bbc.co.uk at folk.org
> >>>>> [mailto:fa-worldmusic-bounces+marco.werman=bbc.co.uk at folk.org] On
> >>>>> Behalf Of Dore Stein
> >>>>> Sent: 13 September 2007 19:00
> >>>>> To: angel at worldmusiccentral.org
> >>>>> Cc: fa-worldmusic at folk.org
> >>>>> Subject: Re: [FA Worldmusic] Joe Zawinul Tribute
> >>>>>
> >>>>> When news of Zawinul's passing hit, I sent this tribute to my
> >>>>> radio
> >>>>> email list. I think it's worth sharing.
> >>>>>
> >>>>> peace,
> >>>>>
> >>>>> Dore Stein
> >>>>> tangents.com
> >>>>>
> >>>>>
> >>>>> It is with stunned sadness that I pass the news that Joe
> >>>>> Zawinul died
> >>>>> this morning of a rare form of skin cancer.
> >>>>>
> >>>>> There will be a Tangents tribute on Sept 22 from 9p-midnight
> >>>>> (91.7,
> >>>>> kalw.org ).
> >>>>>
> >>>>> In the pantheon of 'Tangential' artists, Joe shares the top
> >>>>> spot with
> >>>>> a select few. He was an innovator, compositional genius and
> >>>>> cross-pollinating pioneer.
> >>>>>
> >>>>> He led the most important world jazz fusion group of all time:
> >>>>> Weather
> >>>>
> >>>>> Report. Of all the jazz fusion bands that arose from the Miles
> >>>>> Davis
> >>>>> personnel of the late 60's/early 70's, Weather Report led by
> >>>>> Joe and
> >>>>> Wayne Shorter (and eventually included Jaco Pastorius) stands
> >>>>> the test
> >>>>
> >>>>> of time better than any other. I say with all due respect to John
> >>>>> McLauglin's Mahavishnu Orchestra, Chick Corea's Return to Forever,
> >>>>> Tony William's Lifetime and Herbie Hancock's Headhunters.
> >>>>>
> >>>>> Joe Zawinul wrote my favorite song: "In A Silent Way" which he
> >>>>> contributed to the Miles album of the same name.
> >>>>>
> >>>>> He recorded on five Miles Davis albums including the ground
> >>>>> breaking
> >>>>> "Bitches Brew" recording.
> >>>>>
> >>>>> Here's a short excerpt about Miles from a 1997 Anil Prasad
> >>>>> interview:
> >>>>> innerviews.org/inner/zawinul.html
> >>>>>
> >>>>> Anil: How did Miles influence your life?
> >>>>>
> >>>>> Joe: I wouldn't say that he influenced my life.
> >>>>>
> >>>>> Anil: Many point to the work you did with Miles in the late
> >>>>> '60s as
> >>>>> the music that most significantly impacted your musical evolution.
> >>>>>
> >>>>> Joe: It is the other way around, frankly speaking. I think he
> >>>>> got more
> >>>>
> >>>>> from me than I got from him in that respect.
> >>>>>
> >>>>>
> >>>>> Joe also revolutionized the use of electronics in jazz. No one
> >>>>> could
> >>>>> make a synthesizer or keyboard sound warm and organic like Joe.
> >>>>> Listen
> >>>>
> >>>>> to "Peace" from his 1986 "Dialects" solo cd. It is solo synth
> >>>>> that is
> >>>>> emotive and moving.
> >>>>>
> >>>>> Here's another excerpt from the aforementioned interview:
> >>>>>
> >>>>> "...we had some funny backlash from people who said we were
> >>>>> selling
> >>>>> out because we were using electronic instruments. It's such
> >>>>> idiocy.
> >>>>> It's ridiculous that someone could place that much importance
> >>>>> on the
> >>>>> instrument to be that great. An instrument is not important. It
> >>>>> is the
> >>>>
> >>>>> way one plays that is important. Instruments don't play by
> >>>>> themselves.
> >>>>> A piano is certainly not a better instrument than a
> >>>>> synthesizer, but
> >>>>> if a synthesizer is played like a piano, it becomes a very bad
> >>>> instrument.
> >>>>> It doesn't work. You can't play a trumpet like a violin it
> >>>>> doesn't go.
> >>>>> That's the problem the players, not the instrument. Any
> >>>>> instrument is
> >>>>> a wonderful thing."
> >>>>>
> >>>>> Zawinul grew up playing Roma (Gypsy) tunes and studying classical
> >>>>> music in Vienna (his birthplace). After seeing the film "Stormy
> >>>>> Weather" some
> >>>>> 24 times, he got hooked on jazz. He won a scholarship to the
> >>>>> Berklee
> >>>>> School of Music and emigrated to the States in 1959. He joined
> >>>>> Maynard
> >>>>
> >>>>> Ferguson's band and then became a fixture with Cannonball
> >>>>> Adderley and
> >>>>
> >>>>> stayed until 1970. As part of Adderley's group, Zawinul wrote the
> >>>>> classic "Mercy, Mercy, Mercy" which hit number 11 on the
> >>>>> Billboard pop
> >>>>
> >>>>> charts in 1967
> >>>>>
> >>>>> I interviewed Joe around 1986. It was like talking to the
> >>>>> Muhammed Ali
> >>>>
> >>>>> of jazz. Joe, after all, was also a boxer and talked the talk, and
> >>>>> walked the walk. He was a straight talker and let you know how
> >>>>> good he
> >>>>
> >>>>> was. But he always backed it up and was as entertaining in
> >>>>> person as
> >>>>> he was on stage.
> >>>>>
> >>>>> Here is a vintage Zawinul excerpt again from
> >>>>> innerviews.org/inner/zawinul.html:
> >>>>>
> >>>>> "...people find out so late. You know HipHop? What is HipHop? I
> >>>>> invented the beat of HipHop! In 1970, I invented it and no drummer
> >>>>> could play it and I did this album with Weather Report called
> >>>>> Sweetnighter that has a track called "125th Street Congress."
> >>>>> It has
> >>>>> the original HipHop beat and I have about 50 recordings of rap and
> >>>>> HipHop groups using a sample of the original song. Many other
> >>>>> things I
> >>>>
> >>>>> did in the 60s I'm not complaining about it, but since we're
> >>>>> talking
> >>>>> about it, I might as well tell you a lot of people got credit
> >>>>> for it,
> >>>> which is alright with me.
> >>>>> But it's a fact I did this stuff so many years ago. What is called
> >>>>> world music today I started the damn thing!"
> >>>>>
> >>>>> Zawinul, along with other pioneering cross-pollinating artists
> >>>>> like
> >>>>> John McLaughlin, Don Cherry, etc. increasingly explored other
> >>>>> music
> >>>>> cultures and integrated these influences into their music. Joe
> >>>>> especially loved African music. He produced Salif Keita's "Amen"
> >>>>> recording. Sabine Kabongo (former Zap Mama), Richard Bona, Cheick
> >>>>> Tidiane Seck, Souleyman Doumbia, Etienne Mbappe, Pape Abdou
> >>>>> Seck (from
> >>>>
> >>>>> Wock), among others, all recorded and/or performed with
> >>>>> Zawinul.  He
> >>>>> also worked on a Mahotella Queens album. (not sure which one -
> >>>>> anyone
> >>>>> know?)
> >>>>>
> >>>>> I'll leave you with a final interview excerpt where Zawinul
> >>>>> answers a
> >>>>> question about his own mortality: innerviews.org/inner/
> >>>>> zawinul.html
> >>>>>
> >>>>> Anil Prasad: "Do you ever think about your own mortality?"
> >>>>>
> >>>>> Joe Zawinul: "I'm not afraid of death. The reason could be that
> >>>>> I grew
> >>>>
> >>>>> up in an environment in which I was always exposed to death
> >>>>> every day
> >>>>> for years. Experiencing bomb attacks in the night and day and
> >>>>> actual
> >>>>> war in your country is very different than watching a war from
> >>>>> 1000
> >>>>> miles away from your home. We had the war right there in my
> >>>>> house. The
> >>>>
> >>>>> Russians came in and many of my friends died, so this type of life
> >>>>> prepares you for death. An 11 or 12 year-old kid in America
> >>>>> will play
> >>>>> with a rubber duck, whereas I used to bury people dead soldiers
> >>>>> and
> >>>>> all that. When I was 12, I used to steal horses from the Russian
> >>>>> wagons and kill them for food. I ploughed fields with Oxen.
> >>>>> That was
> >>>>> my life. The kids were the men. I was trained for the military
> >>>>> I was a
> >>>> bazooka man.
> >>>>> But going back to mortality, I felt when the war was over,
> >>>>> everything
> >>>>> was easy, but I went through some very hard times in America
> >>>>> too. I
> >>>>> was the only white guy to play with black bands in the South
> >>>>> during
> >>>>> segregation. I often had to sit in the bottom of the car when
> >>>>> we drove
> >>>>
> >>>>> through certain parts of the South. Those kinds of things never
> >>>>> phased
> >>>>
> >>>>> me I wanted to play music with the best and I could play on
> >>>>> that level
> >>>>
> >>>>> with the best."
> >>>>>
> >>>>> Heaven just got a hell of a musician.
> >>>>>
> >>>>>
> >>>>>
> >>>>>
> >>>>>
> >>>>> On 9/12/07, Angel Romero <aromero at ibiblio.org > wrote:
> >>>>>>
> >>>>>> Very sad news for the music world.
> >>>>>>
> >>>>>>
> >>>>> http://www.worldmusiccentral.org/article.php/
> >>>>> jazz_prodigy_joe_zawinul_
> >>>>> di
> >>>>> es_at
> >>>>> _75
> >>>>>>
> >>>>>> --
> >>>>>>
> >>>>>> Angel Romero
> >>>>>> World Music Central
> >>>>>> 2524 Cascadilla St.
> >>>>>> Durham, NC 27704-4406
> >>>>>> USA
> >>>>>> E-mail: angel at worldmusiccentral.org
> >>>>>> <mailto:angel at worldmusiccentral.org>
> >>>>>> World Music Central: www.worldmusiccentral.org
> >>>>>> <http://www.worldmusiccentral.org>
> >>>>>> Mzsicas del Mundo: www.musicasdelmundo.org
> >>>>>> <http://www.musicasdelmundo.org
> >>>>>>>
> >>>>>> World Music Central at MySpace: www.myspace.com/
> >>>>>> worldmusiccentral <
> >>>>>> http://www.myspace.com/worldmusiccentral>
> >>>>>> _______________________________________________
> >>>>>> FA-Worldmusic mailing list
> >>>>>> FA-Worldmusic at folk.org
> >>>>>> http://www.folkserv.net/mailman/listinfo/fa-worldmusic
> >>>>>>
> >>>>>
> >>>>>
> >>>>>
> >>>>> --
> >>>>> =================================
> >>>>>
> >>>>> NOTE: NEW MAILING ADDRESS and EMAIL
> >>>>>
> >>>>> Dore Stein
> >>>>> Producer/Host
> >>>>> Tangents Radio
> >>>>> 301 Gambier St.
> >>>>> San Francisco CA  94134-1341
> >>>>>
> >>>>> Customized MONDOMIX Tangents shows are available listen-on-
> >>>>> demand at
> >>>>> tangents.com and mondomix.com/en/radios.php
> >>>>>
> >>>>> Broadcast Saturday Nights 8p-mid on KALW (91.7 , San Francisco)
> >>>>> and
> >>>>> webcast at www.kalw.org
> >>>>>
> >>>>> Playlists are uploaded in real time at tangents.com
> >>>>>
> >>>>> Website: www.tangents.com
> >>>>> Email: tangentsradio at gmail.com
> >>>>>
> >>>>> Tel: (415) 584-4367 (Mon-Fri 2p-7p)
> >>>>>       (415) 841-4134 (Studio: Sat. 8-mid)
> >>>>> _______________________________________________
> >>>>> FA-Worldmusic mailing list
> >>>>> FA-Worldmusic at folk.org
> >>>>> http://www.folkserv.net/mailman/listinfo/fa-worldmusic
> >>>>>
> >>>>> http://www.bbc.co.uk/
> >>>>> This e-mail (and any attachments) is confidential and may contain
> >>>>> personal views which are not the views of the BBC unless
> >>>>> specifically
> >>>>> stated.
> >>>>> If you have received it in error, please delete it from your
> >>>>> system.
> >>>>> Do not use, copy or disclose the information in any way nor act in
> >>>>> reliance on it and notify the sender immediately.
> >>>>> Please note that the BBC monitors e-mails sent or received.
> >>>>> Further communication will signify your consent to this.
> >>>>> _______________________________________________
> >>>>> FA-Worldmusic mailing list
> >>>>> FA-Worldmusic at folk.org
> >>>>> http://www.folkserv.net/mailman/listinfo/fa-worldmusic
> >>>>>
> >>>>
> >>>>
> >>>>
> >>>> --
> >>>> =================================
> >>>>
> >>>> NOTE: NEW MAILING ADDRESS and EMAIL
> >>>>
> >>>> Dore Stein
> >>>> Producer/Host
> >>>> Tangents Radio
> >>>> 301 Gambier St.
> >>>> San Francisco CA  94134-1341
> >>>>
> >>>> Customized MONDOMIX Tangents shows are available listen-on-
> >>>> demand at
> >>>> tangents.com and mondomix.com/en/radios.php
> >>>>
> >>>> Broadcast Saturday Nights 8p-mid on KALW (91.7, San Francisco) and
> >>>> webcast at www.kalw.org
> >>>>
> >>>> Playlists are uploaded in real time at tangents.com
> >>>>
> >>>> Website: www.tangents.com
> >>>> Email: tangentsradio at gmail.com
> >>>>
> >>>> Tel: (415) 584-4367 (Mon-Fri 2p-7p)
> >>>>       (415) 841-4134 (Studio: Sat. 8-mid)
> >>>> _______________________________________________
> >>>> FA-Worldmusic mailing list
> >>>> FA-Worldmusic at folk.org
> >>>> http://www.folkserv.net/mailman/listinfo/fa-worldmusic
> >>>>
> >>>> http://www.bbc.co.uk/
> >>>> This e-mail (and any attachments) is confidential and may contain
> >>>> personal
> >>>> views which are not the views of the BBC unless specifically
> >>>> stated.
> >>>> If you have received it in error, please delete it from your
> >>>> system.
> >>>> Do not use, copy or disclose the information in any way nor act in
> >>>> reliance on it and notify the sender immediately.
> >>>> Please note that the BBC monitors e-mails sent or received.
> >>>> Further communication will signify your consent to this.
> >>>>
> >>>>
> >>>
> >>>
> >>> --
> >>> =================================
> >>>
> >>> NOTE: NEW MAILING ADDRESS and EMAIL
> >>>
> >>> Dore Stein
> >>> Producer/Host
> >>> Tangents Radio
> >>> 301 Gambier St.
> >>> San Francisco CA  94134-1341
> >>>
> >>> Customized MONDOMIX Tangents shows are available listen-on-demand at
> >>> tangents.com and mondomix.com/en/radios.php
> >>>
> >>> Broadcast Saturday Nights 8p-mid on KALW (91.7, San Francisco)
> >>> and webcast
> >>> at www.kalw.org
> >>>
> >>> Playlists are uploaded in real time at tangents.com
> >>>
> >>> Website: www.tangents.com
> >>> Email: tangentsradio at gmail.com
> >>>
> >>> Tel: (415) 584-4367 (Mon-Fri 2p-7p)
> >>>       (415) 841-4134 (Studio: Sat. 8-mid)
> >>> _______________________________________________
> >>> FA-Worldmusic mailing list
> >>> FA-Worldmusic at folk.org
> >>> http://www.folkserv.net/mailman/listinfo/fa-worldmusic
> >> _______________________________________________
> >> FA-Worldmusic mailing list
> >> FA-Worldmusic at folk.org
> >> http://www.folkserv.net/mailman/listinfo/fa-worldmusic
>
>
> ------------------------------
>
> Message: 2
> Date: Fri, 14 Sep 2007 18:00:52 -0500
> From: sarah wimer <sarahjwimer at hotmail.com>
> Subject: [FA Worldmusic] Music for Peace
> To: <fa-worldmusic at folk.org>
>
> I believe that world music--wherever it is performed or heard--helps
> promote
> intercultural understanding. We would all benefit from an increase in
> understanding, starting here at home where there is so much jingoistic,
> racist
> xenophobia.
>
> With Bush's latest spin that success allows a very slow drawdown of troops
> (probably just ones that were already scheduled to come back), the chaos
> that
> his war has created in Iraq is unlikely to decline any time soon.
>
> A million--or fewer--people working to give the Iraqi people their country
> and
> lives back would make a difference. I wouldn't want to go as an individual
> currently due to the incredible danger, but with a big enough group, some
> safety buffer would be provided.
>
> In the meantime, every time the members of the world music community
> promote
> that music helps create stronger international ties of friendship,
> understanding, and respect that will hopefully prevent future evil wars.
>
> Sarah
> Spinning World Promotions
> Austin, TX
> _________________________________________________________________
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> _______________________________________________
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>
> End of FA-Worldmusic Digest, Vol 19, Issue 13
> *********************************************
>



-- 
Glenn Tamir
www.tamirproductions.com
gtamir613 at gmail.com
tel: 011-972-54-577-4130
In US: 914.833.3547