[FA Worldmusic] A request please. :)
Tshirt214 at aol.com
Tshirt214 at aol.com
Fri Sep 14 18:51:39 ADT 2007
Hi All,
I enjoy this group though I rarely post. I do ask that when you respond to a
post, please just copy the relevant portion. I get the digest form, and the
following is a typical thing I've been getting when you reply the whole digest.
I get to where I just want to delete on sight as finding the new message is
like looking for a needle in a haystack sometimes.
Keep on with the discussions, I love them.
Cathy
_www.gypsysoul.fm_ (http://www.gypsysoul.fm/)
wwwy.gypsymusique.com
_www.mettafourrecords.com_ (http://www.mettafourrecords.com/)
In a message dated 9/14/2007 5:39:04 PM Eastern Daylight Time,
fa-worldmusic-request at folk.org writes:
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Today's Topics:
1. Re: FA-Worldmusic Digest, Vol 19, Issue 10 (glenn tamir)
----------------------------------------------------------------------
Message: 1
Date: Sat, 15 Sep 2007 00:33:16 +0300
From: "glenn tamir" <gtamir613 at gmail.com>
Subject: Re: [FA Worldmusic] FA-Worldmusic Digest, Vol 19, Issue 10
To: fa-worldmusic at folk.org
Re: Surge of Diplomacy
No Marco, I don't think for one minute you are "smoking crack" but
unfortunately, I do think that you are dreaming of something that is
unrealistic. If we sent one million unarmed volunteers, conflict resolution
people, clones of Mother Theresa, we would probably have thousands of
hostages and lots of dead bodies coming back in return for this goodwill.
I pray and I wish that these kinds of methods would bear fruit and show the
world the best of our intentions. We are dealing with forces and people who
do not see any difference between the unarmed American doctor or teacher and
the armed American soldier. They see both as representatives of an ideology
where people are allowed to live and think freely. To express themselves in
any way they choose. To criticize those in power without fear of reprisal.
To question religious dogma - the list goes on an on.
I'm no neocon. But I've been living over here in the Middle East for a year
now and I can tell you that it's a whole different world over here and
people think very differently than we do in the West. I do think that we as
musicians and artists can have a positive effect on the future and we should
never give up the hope for peace.
Glenn Tamir
Avtalyon, Israel
On 9/14/07, fa-worldmusic-request at folk.org <fa-worldmusic-request at folk.org>
wrote:
>
> Send FA-Worldmusic mailing list submissions to
> fa-worldmusic at folk.org
>
> To subscribe or unsubscribe via the World Wide Web, visit
> http://www.folkserv.net/mailman/listinfo/fa-worldmusic
> or, via email, send a message with subject or body 'help' to
> fa-worldmusic-request at folk.org
>
> You can reach the person managing the list at
> fa-worldmusic-owner at folk.org
>
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of FA-Worldmusic digest..."
>
>
> Today's Topics:
>
> 1. Re: surge of diplomacy (Marco Werman)
> 2. Re: surge of diplomacy (Anastasia Tsioulcas)
> 3. Re: surge of diplomacy (Dore Stein)
> 4. Re: surge of diplomacy (Kutay Kugay)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Fri, 14 Sep 2007 19:03:48 +0100
> From: "Marco Werman" <marco.werman at bbc.co.uk>
> Subject: Re: [FA Worldmusic] surge of diplomacy
> To: "Dmitri Vietze" <music at rockpaperscissors.biz>,
> <fa-worldmusic at folk.org>
>
> The Democrats keep playing to the center, still not realizing that it's
> wiser to stake out a unique political territory characterized by
> humanity than it is to compete with the Republicans. You might say I'm
> smoking crack, but imagine how quickly the dust would settle in Iraq --
> how the entire middle east would pitch in -- if the US were to send in
> one million unarmed volunteers to rebuild the country.
>
> -----Original Message-----
> From: fa-worldmusic-bounces+marco.werman=bbc.co.uk at folk.org
> [mailto:fa-worldmusic-bounces+marco.werman=bbc.co.uk at folk.org] On Behalf
> Of Dmitri Vietze
> Sent: 14 September 2007 12:41
> To: fa-worldmusic at folk.org
> Subject: [FA Worldmusic] surge of diplomacy
>
> > The world could use musical 'peacekeepers'...
>
> I keep wondering when the Democrats are gonna realize that what we need
> in the "Middle East" is a surge of diplomacy. Put a hundurd million
> bucks into that and see what happens. Send over 30,000 conflict
> resolution experts, cross-cultural diplomats, and musical activists and
> see what happens. Never been done before. I still think the USA faces a
> major PR problem and the globally-minded music field could help a lot.
>
> Much respect,
>
> Dmitri Vietze
> rock paper scissors, inc.
> (NEW ADDRESS as of May 18, 2007!!!)
> 511 W. 4th St., Suite 2
> Bloomington, IN 47404-5171
> TEL +1-812-339-1195
> FAX +1-801-729-4911
> music at rockpaperscissors.biz
> www.rockpaperscissors.biz
>
> {{music of global significance}}
>
> p u b l i c i t y f o r t h e w o r l d
>
> ----- Original Message -----
> From: "Dore Stein" <tangentsradio at gmail.com>
> To: <marco.werman at bbc.co.uk>
> Cc: <fa-worldmusic at folk.org>
> Sent: Friday, September 14, 2007 12:07 PM
> Subject: Re: [FA Worldmusic] Joe Zawinul Tribute
>
>
> > On 9/14/07, Marco Werman <marco.werman at bbc.co.uk> wrote:
> >>
> >> Wow! Thanks for the list Dore. Reads like a musical UN!
> >
> >
> >
> > Hey Marco
> >
> >
> >
> > The world could use musical 'peacekeepers'...
> >
> >
> >
> > Back in the '60's the biggest names in jazz were sponsored by the U.S.
>
> > State
> > Department on world tours. In 1960 Herbie Mann traveled to 15 African
> > countries which resulted in the "Common Ground" album featuring
> Babatunde
> > Olatunje. In 1963 Duke and his Orchestra toured Sri Lanka, Egypt,
> India,
> > Iraq, Jordan, Lebanon, Pakistan, Iran, and Turkey - which was
> commemorated
> > by the "Far East Suite". It should have been labeled the Near or
> Middle
> > Eastern Suite but what the hay.
> >
> > -----Original Message-----
> >> From: fa-worldmusic-bounces+marco.werman=bbc.co.uk at folk.org
> >> [mailto:fa-worldmusic-bounces+marco.werman=bbc.co.uk at folk.org] On
> Behalf
> >> Of Dore Stein
> >> Sent: 14 September 2007 10:21
> >> To: Yusuf Gandhi
> >> Cc: fa-worldmusic at folk.org
> >> Subject: Re: [FA Worldmusic] Joe Zawinul Tribute
> >>
> >> Joe found top talent from everywhere to play with him starting with
> >> Weather Report and throughout his career.
> >>
> >> Zawinul's 1996 "My People" is a prime example.
> >>
> >> His Core Band on the recording was The Zawinul Syndicate:
> >>
> >> Paco Sery (Ivory Coast)
> >>
> >> Matthew Garrison (USA/Italy)
> >>
> >> Gary Poulson (USA)
> >>
> >> Arto Tuncboyaciyan (Anatolia)
> >>
> >> Guest Vocal Soloists were:
> >>
> >> Salif Keita (Mali)
> >>
> >> Thania Sanchez (Venezuela)
> >>
> >> Burhan Ocal (Turkey)
> >>
> >> Richarad Bona (Cameroon)
> >>
> >> Bolot (Altai Mountains/South Siberia)
> >>
> >> Duke Ellington (sampled spoken word)
> >>
> >> Musicians:
> >>
> >> Alex Acuna (Peru- former Weather Report member)
> >>
> >> Trilok Gurtu (India)
> >>
> >> Rudy Regaldo (Venezuela)
> >>
> >> Michito Sanchez (Cuba/USA)
> >>
> >> Souleyman Doumbia (Mali)
> >>
> >> Tal Bergmann (Israel)
> >>
> >> Amit Chaterjee (India)
> >>
> >> Osmane Kouyake (Mali)
> >>
> >> Cheick Tidane Seck (Mali)
> >>
> >> Bobby Malach (USA/Poland)
> >>
> >> Djene Doumbouya (Guinea)
> >>
> >> Assitan Dembele (Ivory Coast)
> >>
> >> Beto Sabala (Peru)
> >>
> >> Kenny O'Braian (Venezuela)
> >>
> >> Lucho Avelleneda (Peru)
> >>
> >> Mike Mossman (USA)
> >>
> >>
> >> On 9/14/07, Yusuf Gandhi <Yusuf at fourquartersent.com> wrote:
> >> >
> >> > I think Joe Zawinul supported and performed with musicians from
> almost
> >>
> >> > every corner of the world, not just Africa, so it would be
> >> > inappropriate to narrow it down to a couple of names. However, he
> was
> >> > not a publicity hound, so many people did not realize the impact he
> >> > had on music and musicians around the world.
> >> >
> >> > Yusuf Gandhi
> >> > President
> >> > Four Quarters Entertainment, Inc.
> >> > 555 8th Avenue, Suite #1803
> >> > New York, NY 10018
> >> > Tel: 212 564 8855
> >> > Fax: 212 564 8865
> >> > E: yusuf at fourquartersent.com
> >> >
> >> > -----Original Message-----
> >> > From: fa-worldmusic-bounces+yusuf=fourquartersent.com at folk.org
> >> > [mailto:fa-worldmusic-bounces+yusuf=fourquartersent.com at folk.org]
> On
> >> > Behalf Of Marco Werman
> >> > Sent: Friday, September 14, 2007 8:38 AM
> >> > To: Dore Stein; angel at worldmusiccentral.org
> >> > Cc: fa-worldmusic at folk.org
> >> > Subject: Re: [FA Worldmusic] Joe Zawinul Tribute
> >> >
> >> > Let's not forget either Zawinul's recent support of two African
> >> > artists in particular, Salif Keita and Richard Bona.
> >> > Marco Werman
> >> >
> >> >
> >> > -----Original Message-----
> >> > From: fa-worldmusic-bounces+marco.werman=bbc.co.uk at folk.org
> >> > [mailto:fa-worldmusic-bounces+marco.werman=bbc.co.uk at folk.org] On
> >> > Behalf Of Dore Stein
> >> > Sent: 13 September 2007 19:00
> >> > To: angel at worldmusiccentral.org
> >> > Cc: fa-worldmusic at folk.org
> >> > Subject: Re: [FA Worldmusic] Joe Zawinul Tribute
> >> >
> >> > When news of Zawinul's passing hit, I sent this tribute to my radio
> >> > email list. I think it's worth sharing.
> >> >
> >> > peace,
> >> >
> >> > Dore Stein
> >> > tangents.com
> >> >
> >> >
> >> > It is with stunned sadness that I pass the news that Joe Zawinul
> died
> >> > this morning of a rare form of skin cancer.
> >> >
> >> > There will be a Tangents tribute on Sept 22 from 9p-midnight (91.7,
> >> > kalw.org ).
> >> >
> >> > In the pantheon of 'Tangential' artists, Joe shares the top spot
> with
> >> > a select few. He was an innovator, compositional genius and
> >> > cross-pollinating pioneer.
> >> >
> >> > He led the most important world jazz fusion group of all time:
> Weather
> >>
> >> > Report. Of all the jazz fusion bands that arose from the Miles
> Davis
> >> > personnel of the late 60's/early 70's, Weather Report led by Joe
> and
> >> > Wayne Shorter (and eventually included Jaco Pastorius) stands the
> test
> >>
> >> > of time better than any other. I say with all due respect to John
> >> > McLauglin's Mahavishnu Orchestra, Chick Corea's Return to Forever,
> >> > Tony William's Lifetime and Herbie Hancock's Headhunters.
> >> >
> >> > Joe Zawinul wrote my favorite song: "In A Silent Way" which he
> >> > contributed to the Miles album of the same name.
> >> >
> >> > He recorded on five Miles Davis albums including the ground
> breaking
> >> > "Bitches Brew" recording.
> >> >
> >> > Here's a short excerpt about Miles from a 1997 Anil Prasad
> interview:
> >> > innerviews.org/inner/zawinul.html
> >> >
> >> > Anil: How did Miles influence your life?
> >> >
> >> > Joe: I wouldn't say that he influenced my life.
> >> >
> >> > Anil: Many point to the work you did with Miles in the late '60s as
> >> > the music that most significantly impacted your musical evolution.
> >> >
> >> > Joe: It is the other way around, frankly speaking. I think he got
> more
> >>
> >> > from me than I got from him in that respect.
> >> >
> >> >
> >> > Joe also revolutionized the use of electronics in jazz. No one
> could
> >> > make a synthesizer or keyboard sound warm and organic like Joe.
> Listen
> >>
> >> > to "Peace" from his 1986 "Dialects" solo cd. It is solo synth that
> is
> >> > emotive and moving.
> >> >
> >> > Here's another excerpt from the aforementioned interview:
> >> >
> >> > "...we had some funny backlash from people who said we were selling
> >> > out because we were using electronic instruments. It's such idiocy.
> >> > It's ridiculous that someone could place that much importance on
> the
> >> > instrument to be that great. An instrument is not important. It is
> the
> >>
> >> > way one plays that is important. Instruments don't play by
> themselves.
> >> > A piano is certainly not a better instrument than a synthesizer,
> but
> >> > if a synthesizer is played like a piano, it becomes a very bad
> >> instrument.
> >> > It doesn't work. You can't play a trumpet like a violin it doesn't
> go.
> >> > That's the problem the players, not the instrument. Any instrument
> is
> >> > a wonderful thing."
> >> >
> >> > Zawinul grew up playing Roma (Gypsy) tunes and studying classical
> >> > music in Vienna (his birthplace). After seeing the film "Stormy
> >> > Weather" some
> >> > 24 times, he got hooked on jazz. He won a scholarship to the
> Berklee
> >> > School of Music and emigrated to the States in 1959. He joined
> Maynard
> >>
> >> > Ferguson's band and then became a fixture with Cannonball Adderley
> and
> >>
> >> > stayed until 1970. As part of Adderley's group, Zawinul wrote the
> >> > classic "Mercy, Mercy, Mercy" which hit number 11 on the Billboard
> pop
> >>
> >> > charts in 1967
> >> >
> >> > I interviewed Joe around 1986. It was like talking to the Muhammed
> Ali
> >>
> >> > of jazz. Joe, after all, was also a boxer and talked the talk, and
> >> > walked the walk. He was a straight talker and let you know how good
> he
> >>
> >> > was. But he always backed it up and was as entertaining in person
> as
> >> > he was on stage.
> >> >
> >> > Here is a vintage Zawinul excerpt again from
> >> > innerviews.org/inner/zawinul.html:
> >> >
> >> > "...people find out so late. You know HipHop? What is HipHop? I
> >> > invented the beat of HipHop! In 1970, I invented it and no drummer
> >> > could play it and I did this album with Weather Report called
> >> > Sweetnighter that has a track called "125th Street Congress." It
> has
> >> > the original HipHop beat and I have about 50 recordings of rap and
> >> > HipHop groups using a sample of the original song. Many other
> things I
> >>
> >> > did in the 60s I'm not complaining about it, but since we're
> talking
> >> > about it, I might as well tell you a lot of people got credit for
> it,
> >> which is alright with me.
> >> > But it's a fact I did this stuff so many years ago. What is called
> >> > world music today I started the damn thing!"
> >> >
> >> > Zawinul, along with other pioneering cross-pollinating artists like
> >> > John McLaughlin, Don Cherry, etc. increasingly explored other music
> >> > cultures and integrated these influences into their music. Joe
> >> > especially loved African music. He produced Salif Keita's "Amen"
> >> > recording. Sabine Kabongo (former Zap Mama), Richard Bona, Cheick
> >> > Tidiane Seck, Souleyman Doumbia, Etienne Mbappe, Pape Abdou Seck
> (from
> >>
> >> > Wock), among others, all recorded and/or performed with Zawinul.
> He
> >> > also worked on a Mahotella Queens album. (not sure which one -
> anyone
> >> > know?)
> >> >
> >> > I'll leave you with a final interview excerpt where Zawinul answers
> a
> >> > question about his own mortality: innerviews.org/inner/zawinul.html
> >> >
> >> > Anil Prasad: "Do you ever think about your own mortality?"
> >> >
> >> > Joe Zawinul: "I'm not afraid of death. The reason could be that I
> grew
> >>
> >> > up in an environment in which I was always exposed to death every
> day
> >> > for years. Experiencing bomb attacks in the night and day and
> actual
> >> > war in your country is very different than watching a war from 1000
> >> > miles away from your home. We had the war right there in my house.
> The
> >>
> >> > Russians came in and many of my friends died, so this type of life
> >> > prepares you for death. An 11 or 12 year-old kid in America will
> play
> >> > with a rubber duck, whereas I used to bury people dead soldiers and
> >> > all that. When I was 12, I used to steal horses from the Russian
> >> > wagons and kill them for food. I ploughed fields with Oxen. That
> was
> >> > my life. The kids were the men. I was trained for the military I
> was a
> >> bazooka man.
> >> > But going back to mortality, I felt when the war was over,
> everything
> >> > was easy, but I went through some very hard times in America too. I
> >> > was the only white guy to play with black bands in the South during
> >> > segregation. I often had to sit in the bottom of the car when we
> drove
> >>
> >> > through certain parts of the South. Those kinds of things never
> phased
> >>
> >> > me I wanted to play music with the best and I could play on that
> level
> >>
> >> > with the best."
> >> >
> >> > Heaven just got a hell of a musician.
> >> >
> >> >
> >> >
> >> >
> >> >
> >> > On 9/12/07, Angel Romero <aromero at ibiblio.org > wrote:
> >> > >
> >> > > Very sad news for the music world.
> >> > >
> >> > >
> >> >
> http://www.worldmusiccentral.org/article.php/jazz_prodigy_joe_zawinul_
> >> > di
> >> > es_at
> >> > _75
> >> > >
> >> > > --
> >> > >
> >> > > Angel Romero
> >> > > World Music Central
> >> > > 2524 Cascadilla St.
> >> > > Durham, NC 27704-4406
> >> > > USA
> >> > > E-mail: angel at worldmusiccentral.org
> >> > > <mailto:angel at worldmusiccentral.org>
> >> > > World Music Central: www.worldmusiccentral.org
> >> > > <http://www.worldmusiccentral.org>
> >> > > Mzsicas del Mundo: www.musicasdelmundo.org
> >> > > <http://www.musicasdelmundo.org
> >> > > >
> >> > > World Music Central at MySpace: www.myspace.com/worldmusiccentral
> <
> >> > > http://www.myspace.com/worldmusiccentral>
> >> > > _______________________________________________
> >> > > FA-Worldmusic mailing list
> >> > > FA-Worldmusic at folk.org
> >> > > http://www.folkserv.net/mailman/listinfo/fa-worldmusic
> >> > >
> >> >
> >> >
> >> >
> >> > --
> >> > =================================
> >> >
> >> > NOTE: NEW MAILING ADDRESS and EMAIL
> >> >
> >> > Dore Stein
> >> > Producer/Host
> >> > Tangents Radio
> >> > 301 Gambier St.
> >> > San Francisco CA 94134-1341
> >> >
> >> > Customized MONDOMIX Tangents shows are available listen-on-demand
> at
> >> > tangents.com and mondomix.com/en/radios.php
> >> >
> >> > Broadcast Saturday Nights 8p-mid on KALW (91.7 , San Francisco) and
> >> > webcast at www.kalw.org
> >> >
> >> > Playlists are uploaded in real time at tangents.com
> >> >
> >> > Website: www.tangents.com
> >> > Email: tangentsradio at gmail.com
> >> >
> >> > Tel: (415) 584-4367 (Mon-Fri 2p-7p)
> >> > (415) 841-4134 (Studio: Sat. 8-mid)
> >> > _______________________________________________
> >> > FA-Worldmusic mailing list
> >> > FA-Worldmusic at folk.org
> >> > http://www.folkserv.net/mailman/listinfo/fa-worldmusic
> >> >
> >> > http://www.bbc.co.uk/
> >> > This e-mail (and any attachments) is confidential and may contain
> >> > personal views which are not the views of the BBC unless
> specifically
> >> > stated.
> >> > If you have received it in error, please delete it from your
> system.
> >> > Do not use, copy or disclose the information in any way nor act in
> >> > reliance on it and notify the sender immediately.
> >> > Please note that the BBC monitors e-mails sent or received.
> >> > Further communication will signify your consent to this.
> >> > _______________________________________________
> >> > FA-Worldmusic mailing list
> >> > FA-Worldmusic at folk.org
> >> > http://www.folkserv.net/mailman/listinfo/fa-worldmusic
> >> >
> >>
> >>
> >>
> >> --
> >> =================================
> >>
> >> NOTE: NEW MAILING ADDRESS and EMAIL
> >>
> >> Dore Stein
> >> Producer/Host
> >> Tangents Radio
> >> 301 Gambier St.
> >> San Francisco CA 94134-1341
> >>
> >> Customized MONDOMIX Tangents shows are available listen-on-demand at
> >> tangents.com and mondomix.com/en/radios.php
> >>
> >> Broadcast Saturday Nights 8p-mid on KALW (91.7, San Francisco) and
> >> webcast at www.kalw.org
> >>
> >> Playlists are uploaded in real time at tangents.com
> >>
> >> Website: www.tangents.com
> >> Email: tangentsradio at gmail.com
> >>
> >> Tel: (415) 584-4367 (Mon-Fri 2p-7p)
> >> (415) 841-4134 (Studio: Sat. 8-mid)
> >> _______________________________________________
> >> FA-Worldmusic mailing list
> >> FA-Worldmusic at folk.org
> >> http://www.folkserv.net/mailman/listinfo/fa-worldmusic
> >>
> >> http://www.bbc.co.uk/
> >> This e-mail (and any attachments) is confidential and may contain
> >> personal
> >> views which are not the views of the BBC unless specifically stated.
> >> If you have received it in error, please delete it from your system.
> >> Do not use, copy or disclose the information in any way nor act in
> >> reliance on it and notify the sender immediately.
> >> Please note that the BBC monitors e-mails sent or received.
> >> Further communication will signify your consent to this.
> >>
> >>
> >
> >
> > --
> > =================================
> >
> > NOTE: NEW MAILING ADDRESS and EMAIL
> >
> > Dore Stein
> > Producer/Host
> > Tangents Radio
> > 301 Gambier St.
> > San Francisco CA 94134-1341
> >
> > Customized MONDOMIX Tangents shows are available listen-on-demand at
> > tangents.com and mondomix.com/en/radios.php
> >
> > Broadcast Saturday Nights 8p-mid on KALW (91.7, San Francisco) and
> webcast
> > at www.kalw.org
> >
> > Playlists are uploaded in real time at tangents.com
> >
> > Website: www.tangents.com
> > Email: tangentsradio at gmail.com
> >
> > Tel: (415) 584-4367 (Mon-Fri 2p-7p)
> > (415) 841-4134 (Studio: Sat. 8-mid)
> > _______________________________________________
> > FA-Worldmusic mailing list
> > FA-Worldmusic at folk.org
> > http://www.folkserv.net/mailman/listinfo/fa-worldmusic
> _______________________________________________
> FA-Worldmusic mailing list
> FA-Worldmusic at folk.org
> http://www.folkserv.net/mailman/listinfo/fa-worldmusic
>
> http://www.bbc.co.uk/
> This e-mail (and any attachments) is confidential and may contain personal
> views which are not the views of the BBC unless specifically stated.
> If you have received it in error, please delete it from your system.
> Do not use, copy or disclose the information in any way nor act in
> reliance on it and notify the sender immediately.
> Please note that the BBC monitors e-mails sent or received.
> Further communication will signify your consent to this.
>
>
> ------------------------------
>
> Message: 2
> Date: Fri, 14 Sep 2007 15:07:09 -0400
> From: "Anastasia Tsioulcas" <anastasiat at gmail.com>
> Subject: Re: [FA Worldmusic] surge of diplomacy
> To: "Marco Werman" <marco.werman at bbc.co.uk>
>
> >Back in the '60's the biggest names in jazz were sponsored by the U.S.
> > State
> > Department on world tours. In 1960 Herbie Mann traveled to 15 African
> > countries which resulted in the "Common Ground" album featuring
> Babatunde
> > Olatunje. In 1963 Duke and his Orchestra toured Sri Lanka, Egypt, India,
> > Iraq, Jordan, Lebanon, Pakistan, Iran, and Turkey - which was
> commemorated
> > by the "Far East Suite". It should have been labeled the Near or Middle
> > Eastern Suite but what the hay.
>
> In case anyone's interested:
>
> There is a really excellent book on this topic by Penny von Eschen called
> "Satchmo Blows Up the World"...she examines in wonderful detail how the
> American musicians participating in these trips very often had politics
> and
> a message that were far more politically and socially progressive
> than--and
> in certain instances even subverted--the "official message" the US
> government meant to send. And in certain instances, the trips (especially
> to
> African countries) underscored/encouraged the African-American artists'
> link
> to a pan-African identity, which was one of the last things that the State
> Department wanted to cultivate!
>
>
> Best regards,
> Anastasia
>
>
> --
>
> www.anastasiat.com
> Anastasia Tsioulcas
> anastasiat at gmail.com
>
>
> ------------------------------
>
> Message: 3
> Date: Fri, 14 Sep 2007 12:13:26 -0700
> From: "Dore Stein" <tangentsradio at gmail.com>
> Subject: Re: [FA Worldmusic] surge of diplomacy
> To: "Anastasia Tsioulcas" <anastasiat at gmail.com>
>
> This link provides some details about what Anastasia is talking about.
>
> http://www.greenleft.org.au/2005/636/34163
>
>
> On 9/14/07, Anastasia Tsioulcas <anastasiat at gmail.com> wrote:
> >
> > >Back in the '60's the biggest names in jazz were sponsored by the U.S.
> > > State
> > > Department on world tours. In 1960 Herbie Mann traveled to 15 African
> > > countries which resulted in the "Common Ground" album featuring
> > Babatunde
> > > Olatunje. In 1963 Duke and his Orchestra toured Sri Lanka, Egypt,
> India,
> > > Iraq, Jordan, Lebanon, Pakistan, Iran, and Turkey - which was
> > commemorated
> > > by the "Far East Suite". It should have been labeled the Near or
> Middle
> > > Eastern Suite but what the hay.
> >
> > In case anyone's interested:
> >
> > There is a really excellent book on this topic by Penny von Eschen
> called
> > "Satchmo Blows Up the World"...she examines in wonderful detail how the
> > American musicians participating in these trips very often had politics
> > and
> > a message that were far more politically and socially progressive
> > than--and
> > in certain instances even subverted--the "official message" the US
> > government meant to send. And in certain instances, the trips
> (especially
> > to
> > African countries) underscored/encouraged the African-American artists'
> > link
> > to a pan-African identity, which was one of the last things that the
> State
> > Department wanted to cultivate!
> >
> >
> > Best regards,
> > Anastasia
> >
> >
> > --
> >
> > www.anastasiat.com
> > Anastasia Tsioulcas
> > anastasiat at gmail.com
> > _______________________________________________
> > FA-Worldmusic mailing list
> > FA-Worldmusic at folk.org
> > http://www.folkserv.net/mailman/listinfo/fa-worldmusic
> >
>
>
>
> --
> =================================
>
> NOTE: NEW MAILING ADDRESS and EMAIL
>
> Dore Stein
> Producer/Host
> Tangents Radio
> 301 Gambier St.
> San Francisco CA 94134-1341
>
> Customized MONDOMIX Tangents shows are available listen-on-demand at
> tangents.com and mondomix.com/en/radios.php
>
> Broadcast Saturday Nights 8p-mid on KALW (91.7, San Francisco) and webcast
> at www.kalw.org
>
> Playlists are uploaded in real time at tangents.com
>
> Website: www.tangents.com
> Email: tangentsradio at gmail.com
>
> Tel: (415) 584-4367 (Mon-Fri 2p-7p)
> (415) 841-4134 (Studio: Sat. 8-mid)
>
>
> ------------------------------
>
> Message: 4
> Date: Fri, 14 Sep 2007 12:50:25 -0700
> From: Kutay Kugay <music at seveneighths.com>
> Subject: Re: [FA Worldmusic] surge of diplomacy
> To: "Marco Werman" <marco.werman at bbc.co.uk>
>
> These are fine and dandy thoughts about what South West Asia needs.
> But do we wonder to ask them, not the governments but the people of
> the region what they prefer and want.
> Do the solutions have to come from US?
>
> Kutay
> On Sep 14, 2007, at 11:03 AM, Marco Werman wrote:
>
> > The Democrats keep playing to the center, still not realizing that
> > it's
> > wiser to stake out a unique political territory characterized by
> > humanity than it is to compete with the Republicans. You might say
> > I'm
> > smoking crack, but imagine how quickly the dust would settle in
> > Iraq --
> > how the entire middle east would pitch in -- if the US were to send in
> > one million unarmed volunteers to rebuild the country.
> >
> > -----Original Message-----
> > From: fa-worldmusic-bounces+marco.werman=bbc.co.uk at folk.org
> > [mailto:fa-worldmusic-bounces+marco.werman=bbc.co.uk at folk.org] On
> > Behalf
> > Of Dmitri Vietze
> > Sent: 14 September 2007 12:41
> > To: fa-worldmusic at folk.org
> > Subject: [FA Worldmusic] surge of diplomacy
> >
> >> The world could use musical 'peacekeepers'...
> >
> > I keep wondering when the Democrats are gonna realize that what we
> > need
> > in the "Middle East" is a surge of diplomacy. Put a hundurd million
> > bucks into that and see what happens. Send over 30,000 conflict
> > resolution experts, cross-cultural diplomats, and musical activists
> > and
> > see what happens. Never been done before. I still think the USA
> > faces a
> > major PR problem and the globally-minded music field could help a lot.
> >
> > Much respect,
> >
> > Dmitri Vietze
> > rock paper scissors, inc.
> > (NEW ADDRESS as of May 18, 2007!!!)
> > 511 W. 4th St., Suite 2
> > Bloomington, IN 47404-5171
> > TEL +1-812-339-1195
> > FAX +1-801-729-4911
> > music at rockpaperscissors.biz
> > www.rockpaperscissors.biz
> >
> > {{music of global significance}}
> >
> > p u b l i c i t y f o r t h e w o r l d
> >
> > ----- Original Message -----
> > From: "Dore Stein" <tangentsradio at gmail.com>
> > To: <marco.werman at bbc.co.uk>
> > Cc: <fa-worldmusic at folk.org>
> > Sent: Friday, September 14, 2007 12:07 PM
> > Subject: Re: [FA Worldmusic] Joe Zawinul Tribute
> >
> >
> >> On 9/14/07, Marco Werman <marco.werman at bbc.co.uk> wrote:
> >>>
> >>> Wow! Thanks for the list Dore. Reads like a musical UN!
> >>
> >>
> >>
> >> Hey Marco
> >>
> >>
> >>
> >> The world could use musical 'peacekeepers'...
> >>
> >>
> >>
> >> Back in the '60's the biggest names in jazz were sponsored by the
> >> U.S.
> >
> >> State
> >> Department on world tours. In 1960 Herbie Mann traveled to 15 African
> >> countries which resulted in the "Common Ground" album featuring
> > Babatunde
> >> Olatunje. In 1963 Duke and his Orchestra toured Sri Lanka, Egypt,
> > India,
> >> Iraq, Jordan, Lebanon, Pakistan, Iran, and Turkey - which was
> > commemorated
> >> by the "Far East Suite". It should have been labeled the Near or
> > Middle
> >> Eastern Suite but what the hay.
> >>
> >> -----Original Message-----
> >>> From: fa-worldmusic-bounces+marco.werman=bbc.co.uk at folk.org
> >>> [mailto:fa-worldmusic-bounces+marco.werman=bbc.co.uk at folk.org] On
> > Behalf
> >>> Of Dore Stein
> >>> Sent: 14 September 2007 10:21
> >>> To: Yusuf Gandhi
> >>> Cc: fa-worldmusic at folk.org
> >>> Subject: Re: [FA Worldmusic] Joe Zawinul Tribute
> >>>
> >>> Joe found top talent from everywhere to play with him starting with
> >>> Weather Report and throughout his career.
> >>>
> >>> Zawinul's 1996 "My People" is a prime example.
> >>>
> >>> His Core Band on the recording was The Zawinul Syndicate:
> >>>
> >>> Paco Sery (Ivory Coast)
> >>>
> >>> Matthew Garrison (USA/Italy)
> >>>
> >>> Gary Poulson (USA)
> >>>
> >>> Arto Tuncboyaciyan (Anatolia)
> >>>
> >>> Guest Vocal Soloists were:
> >>>
> >>> Salif Keita (Mali)
> >>>
> >>> Thania Sanchez (Venezuela)
> >>>
> >>> Burhan Ocal (Turkey)
> >>>
> >>> Richarad Bona (Cameroon)
> >>>
> >>> Bolot (Altai Mountains/South Siberia)
> >>>
> >>> Duke Ellington (sampled spoken word)
> >>>
> >>> Musicians:
> >>>
> >>> Alex Acuna (Peru- former Weather Report member)
> >>>
> >>> Trilok Gurtu (India)
> >>>
> >>> Rudy Regaldo (Venezuela)
> >>>
> >>> Michito Sanchez (Cuba/USA)
> >>>
> >>> Souleyman Doumbia (Mali)
> >>>
> >>> Tal Bergmann (Israel)
> >>>
> >>> Amit Chaterjee (India)
> >>>
> >>> Osmane Kouyake (Mali)
> >>>
> >>> Cheick Tidane Seck (Mali)
> >>>
> >>> Bobby Malach (USA/Poland)
> >>>
> >>> Djene Doumbouya (Guinea)
> >>>
> >>> Assitan Dembele (Ivory Coast)
> >>>
> >>> Beto Sabala (Peru)
> >>>
> >>> Kenny O'Braian (Venezuela)
> >>>
> >>> Lucho Avelleneda (Peru)
> >>>
> >>> Mike Mossman (USA)
> >>>
> >>>
> >>> On 9/14/07, Yusuf Gandhi <Yusuf at fourquartersent.com> wrote:
> >>>>
> >>>> I think Joe Zawinul supported and performed with musicians from
> > almost
> >>>
> >>>> every corner of the world, not just Africa, so it would be
> >>>> inappropriate to narrow it down to a couple of names. However, he
> > was
> >>>> not a publicity hound, so many people did not realize the impact he
> >>>> had on music and musicians around the world.
> >>>>
> >>>> Yusuf Gandhi
> >>>> President
> >>>> Four Quarters Entertainment, Inc.
> >>>> 555 8th Avenue, Suite #1803
> >>>> New York, NY 10018
> >>>> Tel: 212 564 8855
> >>>> Fax: 212 564 8865
> >>>> E: yusuf at fourquartersent.com
> >>>>
> >>>> -----Original Message-----
> >>>> From: fa-worldmusic-bounces+yusuf=fourquartersent.com at folk.org
> >>>> [mailto:fa-worldmusic-bounces+yusuf=fourquartersent.com at folk.org]
> > On
> >>>> Behalf Of Marco Werman
> >>>> Sent: Friday, September 14, 2007 8:38 AM
> >>>> To: Dore Stein; angel at worldmusiccentral.org
> >>>> Cc: fa-worldmusic at folk.org
> >>>> Subject: Re: [FA Worldmusic] Joe Zawinul Tribute
> >>>>
> >>>> Let's not forget either Zawinul's recent support of two African
> >>>> artists in particular, Salif Keita and Richard Bona.
> >>>> Marco Werman
> >>>>
> >>>>
> >>>> -----Original Message-----
> >>>> From: fa-worldmusic-bounces+marco.werman=bbc.co.uk at folk.org
> >>>> [mailto:fa-worldmusic-bounces+marco.werman=bbc.co.uk at folk.org] On
> >>>> Behalf Of Dore Stein
> >>>> Sent: 13 September 2007 19:00
> >>>> To: angel at worldmusiccentral.org
> >>>> Cc: fa-worldmusic at folk.org
> >>>> Subject: Re: [FA Worldmusic] Joe Zawinul Tribute
> >>>>
> >>>> When news of Zawinul's passing hit, I sent this tribute to my radio
> >>>> email list. I think it's worth sharing.
> >>>>
> >>>> peace,
> >>>>
> >>>> Dore Stein
> >>>> tangents.com
> >>>>
> >>>>
> >>>> It is with stunned sadness that I pass the news that Joe Zawinul
> > died
> >>>> this morning of a rare form of skin cancer.
> >>>>
> >>>> There will be a Tangents tribute on Sept 22 from 9p-midnight (91.7,
> >>>> kalw.org ).
> >>>>
> >>>> In the pantheon of 'Tangential' artists, Joe shares the top spot
> > with
> >>>> a select few. He was an innovator, compositional genius and
> >>>> cross-pollinating pioneer.
> >>>>
> >>>> He led the most important world jazz fusion group of all time:
> > Weather
> >>>
> >>>> Report. Of all the jazz fusion bands that arose from the Miles
> > Davis
> >>>> personnel of the late 60's/early 70's, Weather Report led by Joe
> > and
> >>>> Wayne Shorter (and eventually included Jaco Pastorius) stands the
> > test
> >>>
> >>>> of time better than any other. I say with all due respect to John
> >>>> McLauglin's Mahavishnu Orchestra, Chick Corea's Return to Forever,
> >>>> Tony William's Lifetime and Herbie Hancock's Headhunters.
> >>>>
> >>>> Joe Zawinul wrote my favorite song: "In A Silent Way" which he
> >>>> contributed to the Miles album of the same name.
> >>>>
> >>>> He recorded on five Miles Davis albums including the ground
> > breaking
> >>>> "Bitches Brew" recording.
> >>>>
> >>>> Here's a short excerpt about Miles from a 1997 Anil Prasad
> > interview:
> >>>> innerviews.org/inner/zawinul.html
> >>>>
> >>>> Anil: How did Miles influence your life?
> >>>>
> >>>> Joe: I wouldn't say that he influenced my life.
> >>>>
> >>>> Anil: Many point to the work you did with Miles in the late '60s as
> >>>> the music that most significantly impacted your musical evolution.
> >>>>
> >>>> Joe: It is the other way around, frankly speaking. I think he got
> > more
> >>>
> >>>> from me than I got from him in that respect.
> >>>>
> >>>>
> >>>> Joe also revolutionized the use of electronics in jazz. No one
> > could
> >>>> make a synthesizer or keyboard sound warm and organic like Joe.
> > Listen
> >>>
> >>>> to "Peace" from his 1986 "Dialects" solo cd. It is solo synth that
> > is
> >>>> emotive and moving.
> >>>>
> >>>> Here's another excerpt from the aforementioned interview:
> >>>>
> >>>> "...we had some funny backlash from people who said we were selling
> >>>> out because we were using electronic instruments. It's such idiocy.
> >>>> It's ridiculous that someone could place that much importance on
> > the
> >>>> instrument to be that great. An instrument is not important. It is
> > the
> >>>
> >>>> way one plays that is important. Instruments don't play by
> > themselves.
> >>>> A piano is certainly not a better instrument than a synthesizer,
> > but
> >>>> if a synthesizer is played like a piano, it becomes a very bad
> >>> instrument.
> >>>> It doesn't work. You can't play a trumpet like a violin it doesn't
> > go.
> >>>> That's the problem the players, not the instrument. Any instrument
> > is
> >>>> a wonderful thing."
> >>>>
> >>>> Zawinul grew up playing Roma (Gypsy) tunes and studying classical
> >>>> music in Vienna (his birthplace). After seeing the film "Stormy
> >>>> Weather" some
> >>>> 24 times, he got hooked on jazz. He won a scholarship to the
> > Berklee
> >>>> School of Music and emigrated to the States in 1959. He joined
> > Maynard
> >>>
> >>>> Ferguson's band and then became a fixture with Cannonball Adderley
> > and
> >>>
> >>>> stayed until 1970. As part of Adderley's group, Zawinul wrote the
> >>>> classic "Mercy, Mercy, Mercy" which hit number 11 on the Billboard
> > pop
> >>>
> >>>> charts in 1967
> >>>>
> >>>> I interviewed Joe around 1986. It was like talking to the Muhammed
> > Ali
> >>>
> >>>> of jazz. Joe, after all, was also a boxer and talked the talk, and
> >>>> walked the walk. He was a straight talker and let you know how good
> > he
> >>>
> >>>> was. But he always backed it up and was as entertaining in person
> > as
> >>>> he was on stage.
> >>>>
> >>>> Here is a vintage Zawinul excerpt again from
> >>>> innerviews.org/inner/zawinul.html:
> >>>>
> >>>> "...people find out so late. You know HipHop? What is HipHop? I
> >>>> invented the beat of HipHop! In 1970, I invented it and no drummer
> >>>> could play it and I did this album with Weather Report called
> >>>> Sweetnighter that has a track called "125th Street Congress." It
> > has
> >>>> the original HipHop beat and I have about 50 recordings of rap and
> >>>> HipHop groups using a sample of the original song. Many other
> > things I
> >>>
> >>>> did in the 60s I'm not complaining about it, but since we're
> > talking
> >>>> about it, I might as well tell you a lot of people got credit for
> > it,
> >>> which is alright with me.
> >>>> But it's a fact I did this stuff so many years ago. What is called
> >>>> world music today I started the damn thing!"
> >>>>
> >>>> Zawinul, along with other pioneering cross-pollinating artists like
> >>>> John McLaughlin, Don Cherry, etc. increasingly explored other music
> >>>> cultures and integrated these influences into their music. Joe
> >>>> especially loved African music. He produced Salif Keita's "Amen"
> >>>> recording. Sabine Kabongo (former Zap Mama), Richard Bona, Cheick
> >>>> Tidiane Seck, Souleyman Doumbia, Etienne Mbappe, Pape Abdou Seck
> > (from
> >>>
> >>>> Wock), among others, all recorded and/or performed with Zawinul.
> > He
> >>>> also worked on a Mahotella Queens album. (not sure which one -
> > anyone
> >>>> know?)
> >>>>
> >>>> I'll leave you with a final interview excerpt where Zawinul answers
> > a
> >>>> question about his own mortality: innerviews.org/inner/zawinul.html
> >>>>
> >>>> Anil Prasad: "Do you ever think about your own mortality?"
> >>>>
> >>>> Joe Zawinul: "I'm not afraid of death. The reason could be that I
> > grew
> >>>
> >>>> up in an environment in which I was always exposed to death every
> > day
> >>>> for years. Experiencing bomb attacks in the night and day and
> > actual
> >>>> war in your country is very different than watching a war from 1000
> >>>> miles away from your home. We had the war right there in my house.
> > The
> >>>
> >>>> Russians came in and many of my friends died, so this type of life
> >>>> prepares you for death. An 11 or 12 year-old kid in America will
> > play
> >>>> with a rubber duck, whereas I used to bury people dead soldiers and
> >>>> all that. When I was 12, I used to steal horses from the Russian
> >>>> wagons and kill them for food. I ploughed fields with Oxen. That
> > was
> >>>> my life. The kids were the men. I was trained for the military I
> > was a
> >>> bazooka man.
> >>>> But going back to mortality, I felt when the war was over,
> > everything
> >>>> was easy, but I went through some very hard times in America too. I
> >>>> was the only white guy to play with black bands in the South during
> >>>> segregation. I often had to sit in the bottom of the car when we
> > drove
> >>>
> >>>> through certain parts of the South. Those kinds of things never
> > phased
> >>>
> >>>> me I wanted to play music with the best and I could play on that
> > level
> >>>
> >>>> with the best."
> >>>>
> >>>> Heaven just got a hell of a musician.
> >>>>
> >>>>
> >>>>
> >>>>
> >>>>
> >>>> On 9/12/07, Angel Romero <aromero at ibiblio.org > wrote:
> >>>>>
> >>>>> Very sad news for the music world.
> >>>>>
> >>>>>
> >>>>
> > http://www.worldmusiccentral.org/article.php/jazz_prodigy_joe_zawinul_
> >>>> di
> >>>> es_at
> >>>> _75
> >>>>>
> >>>>> --
> >>>>>
> >>>>> Angel Romero
> >>>>> World Music Central
> >>>>> 2524 Cascadilla St.
> >>>>> Durham, NC 27704-4406
> >>>>> USA
> >>>>> E-mail: angel at worldmusiccentral.org
> >>>>> <mailto:angel at worldmusiccentral.org>
> >>>>> World Music Central: www.worldmusiccentral.org
> >>>>> <http://www.worldmusiccentral.org>
> >>>>> Mzsicas del Mundo: www.musicasdelmundo.org
> >>>>> <http://www.musicasdelmundo.org
> >>>>>>
> >>>>> World Music Central at MySpace: www.myspace.com/worldmusiccentral
> > <
> >>>>> http://www.myspace.com/worldmusiccentral>
> >>>>> _______________________________________________
> >>>>> FA-Worldmusic mailing list
> >>>>> FA-Worldmusic at folk.org
> >>>>> http://www.folkserv.net/mailman/listinfo/fa-worldmusic
> >>>>>
> >>>>
> >>>>
> >>>>
> >>>> --
> >>>> =================================
> >>>>
> >>>> NOTE: NEW MAILING ADDRESS and EMAIL
> >>>>
> >>>> Dore Stein
> >>>> Producer/Host
> >>>> Tangents Radio
> >>>> 301 Gambier St.
> >>>> San Francisco CA 94134-1341
> >>>>
> >>>> Customized MONDOMIX Tangents shows are available listen-on-demand
> > at
> >>>> tangents.com and mondomix.com/en/radios.php
> >>>>
> >>>> Broadcast Saturday Nights 8p-mid on KALW (91.7 , San Francisco) and
> >>>> webcast at www.kalw.org
> >>>>
> >>>> Playlists are uploaded in real time at tangents.com
> >>>>
> >>>> Website: www.tangents.com
> >>>> Email: tangentsradio at gmail.com
> >>>>
> >>>> Tel: (415) 584-4367 (Mon-Fri 2p-7p)
> >>>> (415) 841-4134 (Studio: Sat. 8-mid)
> >>>> _______________________________________________
> >>>> FA-Worldmusic mailing list
> >>>> FA-Worldmusic at folk.org
> >>>> http://www.folkserv.net/mailman/listinfo/fa-worldmusic
> >>>>
> >>>> http://www.bbc.co.uk/
> >>>> This e-mail (and any attachments) is confidential and may contain
> >>>> personal views which are not the views of the BBC unless
> > specifically
> >>>> stated.
> >>>> If you have received it in error, please delete it from your
> > system.
> >>>> Do not use, copy or disclose the information in any way nor act in
> >>>> reliance on it and notify the sender immediately.
> >>>> Please note that the BBC monitors e-mails sent or received.
> >>>> Further communication will signify your consent to this.
> >>>> _______________________________________________
> >>>> FA-Worldmusic mailing list
> >>>> FA-Worldmusic at folk.org
> >>>> http://www.folkserv.net/mailman/listinfo/fa-worldmusic
> >>>>
> >>>
> >>>
> >>>
> >>> --
> >>> =================================
> >>>
> >>> NOTE: NEW MAILING ADDRESS and EMAIL
> >>>
> >>> Dore Stein
> >>> Producer/Host
> >>> Tangents Radio
> >>> 301 Gambier St.
> >>> San Francisco CA 94134-1341
> >>>
> >>> Customized MONDOMIX Tangents shows are available listen-on-demand at
> >>> tangents.com and mondomix.com/en/radios.php
> >>>
> >>> Broadcast Saturday Nights 8p-mid on KALW (91.7, San Francisco) and
> >>> webcast at www.kalw.org
> >>>
> >>> Playlists are uploaded in real time at tangents.com
> >>>
> >>> Website: www.tangents.com
> >>> Email: tangentsradio at gmail.com
> >>>
> >>> Tel: (415) 584-4367 (Mon-Fri 2p-7p)
> >>> (415) 841-4134 (Studio: Sat. 8-mid)
> >>> _______________________________________________
> >>> FA-Worldmusic mailing list
> >>> FA-Worldmusic at folk.org
> >>> http://www.folkserv.net/mailman/listinfo/fa-worldmusic
> >>>
> >>> http://www.bbc.co.uk/
> >>> This e-mail (and any attachments) is confidential and may contain
> >>> personal
> >>> views which are not the views of the BBC unless specifically stated.
> >>> If you have received it in error, please delete it from your system.
> >>> Do not use, copy or disclose the information in any way nor act in
> >>> reliance on it and notify the sender immediately.
> >>> Please note that the BBC monitors e-mails sent or received.
> >>> Further communication will signify your consent to this.
> >>>
> >>>
> >>
> >>
> >> --
> >> =================================
> >>
> >> NOTE: NEW MAILING ADDRESS and EMAIL
> >>
> >> Dore Stein
> >> Producer/Host
> >> Tangents Radio
> >> 301 Gambier St.
> >> San Francisco CA 94134-1341
> >>
> >> Customized MONDOMIX Tangents shows are available listen-on-demand at
> >> tangents.com and mondomix.com/en/radios.php
> >>
> >> Broadcast Saturday Nights 8p-mid on KALW (91.7, San Francisco) and
> > webcast
> >> at www.kalw.org
> >>
> >> Playlists are uploaded in real time at tangents.com
> >>
> >> Website: www.tangents.com
> >> Email: tangentsradio at gmail.com
> >>
> >> Tel: (415) 584-4367 (Mon-Fri 2p-7p)
> >> (415) 841-4134 (Studio: Sat. 8-mid)
> >> _______________________________________________
> >> FA-Worldmusic mailing list
> >> FA-Worldmusic at folk.org
> >> http://www.folkserv.net/mailman/listinfo/fa-worldmusic
> > _______________________________________________
> > FA-Worldmusic mailing list
> > FA-Worldmusic at folk.org
> > http://www.folkserv.net/mailman/listinfo/fa-worldmusic
> >
> > http://www.bbc.co.uk/
> > This e-mail (and any attachments) is confidential and may contain
> > personal views which are not the views of the BBC unless
> > specifically stated.
> > If you have received it in error, please delete it from your system.
> > Do not use, copy or disclose the information in any way nor act in
> > reliance on it and notify the sender immediately.
> > Please note that the BBC monitors e-mails sent or received.
> > Further communication will signify your consent to this.
> > _______________________________________________
> > FA-Worldmusic mailing list
> > FA-Worldmusic at folk.org
> > http://www.folkserv.net/mailman/listinfo/fa-worldmusic
>
>
> ------------------------------
>
> _______________________________________________
> FA-Worldmusic mailing list
> FA-Worldmusic at folk.org
> http://www.folkserv.net/mailman/listinfo/fa-worldmusic
>
>
> End of FA-Worldmusic Digest, Vol 19, Issue 10
> *********************************************
>
--
Glenn Tamir
www.tamirproductions.com
gtamir613 at gmail.com
tel: 011-972-54-577-4130
In US: 914.833.3547
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