[FA Worldmusic] relativity
Dmitri Vietze
music at rockpaperscissors.biz
Tue Aug 14 19:03:07 ADT 2007
Good and bad are in the eyes of the beholders. And what each person
perceives as good or bad includes a lot of data that has less to do with
issues of technical skill, production quality, and even musical passion, and
more to do with subconscious factors. Including what friends listen to,
personal and cultural identity, what people think they are "supposed to
listen to" to fit into their affinity groups, and some wacky song they heard
on the radio when they were a kid and their parents turned it off, etc. So
in the end, if we eliminate labels and categories, how do we talk about
music?
I still think there is a place for organizing music and presenting it in a
framework. I think it is interesting how emotional some people get about how
you should or shouldn't categorize music, how certain music should or
shouldn't be grouped together. (Heck, why call it music? Let's call it
sound.) The point is that with so much sound out there, it is helpful to
create entry-points for newcomers to a particular sound, and reference
points for talking about sound when playing the sound is not feasible.
The question is how to create entry-points for people in (North) America to
listen to music in other languages, with other rhythms, harmonic structures,
timbres, etc. In an ethnocentric USA, is it really the same for global music
forms as it is for other forms of music? How many of you in the so-called
"world music" field have promoted a concert, sold a CD, etc. without
mentioning the country of origin of an artist. Isn't that just another
category?
Much respect,
===> Dmitri!
music at rockpaperscissors.biz
----- Original Message -----
From: "Phil Ballman" <philballman at gmail.com>
To: <fa-worldmusic at folk.org>
Sent: Tuesday, August 14, 2007 1:42 PM
Subject: Re: [FA Worldmusic] FA-Worldmusic Digest, Vol 18, Issue 14
> >What I meant is I'm not a fan of music categorization. It results in
>>arbitrary boundaries that encourage pre-conceived biases and
>>discourage open-minded listening.
>
> Bill, I'm with you 100%. Forget categories; just listen. I hate the term
> "world music", it's awful.
>
> My man Duke Ellington perhaps put it best:
> "There are only two kinds of music: good and bad."
>
> Phil
> --
> Mondo Mundo Agency
> www.mondomundo.biz
> 347-535-0927 office
> 347-365-0926 cell
> _______________________________________________
> FA-Worldmusic mailing list
> FA-Worldmusic at folk.org
> http://www.folkserv.net/mailman/listinfo/fa-worldmusic
More information about the FA-Worldmusic
mailing list