[FA Worldmusic] Whose been making you excited recently?

Mon Sep 25 18:39:15 EDT 2006

For those of you in the NY area....

Curumin, who Tom mentions below, is playing two sets on Monday, Oct 2 at
Joe's Pub sharing the bill with the raw and booty-licious Tetine, a
British Brazilian duo whose L.I.C.K My Favela project dips into the
sounds of Rio's storied funkballs. 

-----Original Message-----
From: Tom Frouge [mailto:tom at avokado.net] 
Sent: Monday, September 25, 2006 5:56 PM
To: Bill Bragin; fa-worldmusic at folk.org
Subject: RE: [FA Worldmusic] Whose been making you excited recently?

We just concluded !Globalquerque! 2006 here in New Mexico and we had an
embarrassment of riches and a ton of amazing highlights with sets from
new
friends and old.  For most of the bands it was their first time in New
Mexico, which added to the whole vibe of the festival. Slonovski Bal
opened
the festival like a Roma freight train with an unbelievably energetic
and
powerful set. These guys ROCK.  If y'all haven't heard them yet check
them
out.  Curumin from Brazil brought the funk. Their sets were eccentric
and
unpredictible (in a good way), Chirgilchin from Tuva (a huge crowd
pleaser -
their daytime throatsinging teaching workshops were crazy - and packed!)
one
of the more traditional of our acts, was completely compelling and
entranced
the audience each time they performed.  Aurelio Martinez and Oliver
Mtukudzi
performed electrifying and soulful sets that kept the outdoor Plaza
Mayor
stage jumping with dancers.  Kiran Ahlwalia and Gjallarhorn provided
mesmerizing sets in the indoor concert hall, while Dine singer Jay
Begaye
and New Mexico's octogenarian state treasure, accordionist/songwriter
Antonia Apodaca, proved that the traditional can be every bit as
powerful as
the contemporary.  Prince Diabate was great - his set was perhaps the
one
that showed the most growth.  Red Stick Ramblers held down the North
American roots music post.  Their combination of Cajun, western swing
and a
touch of bluegrass is addictive. Charanga Cakewalk returned New Mexico
with
their unique nuevo-cumbia-electronica after being in town opening for
Lila
Downs this past spring to a warm welcome and Shooglenifty perfomed a
great
trancy-celtic-jam band set.  We closed the fest last night with another
bit
of Gypsy magic, this time with a Judaic twist, from Les Yeux Noirs.

I am exhausted!

tom

www.globalquerque.com

-----Original Message-----
From: fa-worldmusic-bounces+tom=avokado.net at folk.org
[mailto:fa-worldmusic-bounces+tom=avokado.net at folk.org]On Behalf Of Bill
Bragin
Sent: Monday, September 25, 2006 11:11 AM
To: fa-worldmusic at folk.org; BAYES_00=-2.599; HTML_30_40=0.374;
HTML_MESSAGE=0.001]
Subject: [FA Worldmusic] Whose been making you excited recently?

A few recent shows by artists I thought I'd mention.  Many of these
artists
were also part of Mike Orlove's Chicago World Music Festival, and have
been
working their way across the country.  Wondering what some of you have
seen
that as been inspiring?

A few recent highlights for me:

Extra Golden, a collaboration between indie rockers Golden from DC and
members
of Orchestra Extra Solar from Kenya, gave a very cool show -
hypnotically
rippling repeating guitar lines that harkened back to Fripp, Remain in
LIght
Era Talking Heads and the Feelies, as well as benga music and congolese
soukous.

Brazilian Manguebeat pioneer Otto - playing two sets that were moved
from
air-tight funk, and sprawling indie rock, with elements of downtempo
electro-samba, maracatu, candomble ryhthms, and reggae.  He's a loose
and
fearless presence on stage, with a really strong band, including a
killer
percussion section and an inventive guitarist from teh underground
Recife
band
Cidadao Instigado...

Serbian band KAL played a very hot show last night - updated Gypsy songs
on
2
accordions, violin, guitar, electric bass, drums and percussionist.
First
set
ended with a Roma-inflected take on Manu Chao's "Clandestino", second
set
opened with a re-appropriation of a Goran Bregovich song, and Gogol
Bordello's
Eugene Hutz popped on stage for a little impromptu takes on a Hungarian
song
at the end.....

Cibelle played two wonderful sets last week - even more mature show than
last
tour, going from sexy electro bossa, to electronically manipulated freak
folk,
with assists from a bag of kid toys - somewhere in between Bebel
Gilberto,
Brazilian Girls, Psapp and Camille....terrific band, wonderful poise on
stage.

Also, LA's Cambodian psych rockers Dengue Fever also made a huge splash
in
their NY Debut. Thanks to Christina Roden for originlaly turning me on
to
them.  Here's a review from today's Newsday....

http://www.newsday.com/entertainment/music/ny-etledew4905876sep25,0,7634
598.
s
tory?coll=ny-music-headlines

In any language, Fever's infectious

<http://ad.doubleclick.net/jump/trb.newsday/ent/music;tk=10107;ptype=ps;
rg=u
r
;ref=newsdaycom;pos=1;tile=1;sz=160x600;ord=80193780>
BY RAFER GUZMAN
Newsday Staff Writer

September 25, 2006

Could there possibly be another band in the world like Dengue Fever? The
group
is a true original, consisting of four Los Angeles indie-rockers fronted
by
a
Cambodian immigrant chanteuse. Together, they play psychedelic,
Khmer-language
pop. Many of their songs are covers by Cambodian artists of the 1960s,
though
they write their own authentic-sounding tunes as well.

It's a wild concept, and Dengue Fever executed it wonderfully Friday
night
during its first New York show at a packed Joe's Pub. (The band was a
well-kept secret until the editors at Amazon.com and influential Los
Angeles
radio host Nic Harcourt became fans; Matt Dillon included the group on
the
soundtrack for his movie "City Of Ghosts.") Whatever the expectations of
Friday's crowd - which included Dillon, incognito in a fashionable
gas-station
shirt - Dengue Fever surpassed them.

That's partly because the four musicians - drummer Paul Smith, bassist
Senon
Williams, guitarist Zac Holtzman and his brother, Farfisa player Ethan
Holtzman - formed an impressively tight unit. They laid down propulsive
but
tricky grooves with easy confidence, recalling crackerjack ensembles
like
The
Meters or Elvis Costello's Attractions or even the J.B.'s. And you had
to
wonder: How well could those bands navigate the foreign rhythms and
melodies
of Asian pop?

But Dengue Fever also has a powerful weapon in its lead vocalist, Chhom
Nimol,
whom the Holtzmans discovered singing at a restaurant called Dragon
House.
(Hence the title of the band's terrific new album, "Escape From Dragon
House,"
on M80 Music/Birdman.) Nimol has a fine, clear voice and the ability to
leap
from note to note in unexpected ways. It also helps that she's pretty
and
poised, with the sweet face of a Miss America contestant.

East doesn't often meet West without some tension, and that was visible
in
Dengue Fever's performance. Nimol initially comported herself modestly,
as
if
singing for honored guests. During the opening song, "Shave Your Beard"
(credited to the Cambodian artist Ros Serey Sothea), she seemed too
dignified
to join the other musicians in working up a sweat. But halfway through
the
75-minute show she let down her guard and began flirting with her band
mates
and - ever so daintily - shifting her hips.

Did it matter that Nimol, who speaks limited English, sang almost
exclusively
in Khmer? Not a bit: Her voice soared beautifully on "Made of Steam" and
she
punched up the forceful chorus of "Tip My Canoe." She delivered a Khmer
rap
in
the middle of "Sni Bong." And during the show-stopping "One Thousand
Tears
of
a Tarantula," she was finally cutting loose along with her band.

Amid all the fun, it was worth wondering: What would have happened if
the
Khmer Rouge had not devastated Cambodia - and its budding rock scene -
in
the
1970s? Perhaps we'd be blessed with more bands like Dengue Fever.

DENGUE FEVER. Hot, hot, hot. Friday at Joe's Pub, Manhattan.

All the best,

Bill Bragin
Director of Joe's Pub
The Public Theater
425 Lafayette Street
New York, NY  10003

t/ 212.539.8512
f/ 212.539.8505
e/ bbragin at publictheater.org
www.joespub.com
Wanna be our Friend?  www.myspace.com/joespubatthepublic

"This will be our reply to violence:
to make music more intensely,
more beautifully,
more devotedly than ever before."

Leonard Bernstein
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